Weekend print workshop
Over the weekend I took part in a Dry Point Etching workshop in Daylesford with
. Bridget specialises in various forms of printmaking, but it was the Dry Point Etching I was most interested in learning. Myself and fellow local designer
headed to Bridgets fabulous studio armed with rubber gloves, aprons and itchy fingers ready to print!
has dedicated 2013 to 'The Year of the Finch' and has been drawing and creating prints specifically on this little bird. Above is one of her very cute dry point etchings of said Finch.
The etching workshop took place on Saturday and Sunday, and it was so lovely to have a creative weekend for completely personal enjoyment - no brief to work to, no commercial limitations, (no toddler around) just me, Fran, Bridget, some 1930's music, choc-chip cookies, cups of tea, and lots of chatting. Fabulous!
I love being in other peoples studios and workspaces, seeing how creative people work, what inspires them, are they neat, messy, organised etc. Most studio's house a lovely mix of random bits and pieces (I like to think of it as studio flotsam and jetsam) that have been found and gathered to serve as useful equipment or inspiration.
I decided to take some of 'my girls' (vintage teacups) to use as a basis for my etching prints. I started off roughly sketching the teacups, before engraving my illustration onto the plate. We were using acetate as a plate, which makes it a really easy substance to engrave and allowed us to work very quickly as no acid is necessary to eat into the more traditional copper plate.
We started off printing our etchings with single colour prints, before progressing to applying several colours to the plate. This is called 'a la poupee' (multiple colours applied directly to the plate) and Bridget has a
about this technique on her website. Above you can see
very intricate and detailed beautiful bird print (left) and my sketchy-style teacup print and inked acetate plate (right).
A big thanks to Bridget and Fran for a wonderful weekend!